Analysis of "Evangelion: 3.0+1.0 Thrice Upon a Time" [Spoilers]

Released on March 8, 2021, "Evangelion: 3.0+1.0 Thrice Upon a Time" garnered significant attention as the concluding installment of the Evangelion series. Despite earning a staggering 800 million yen on its opening day, fans also discussed their respect for the film's ability to keep spoilers off social media.

I watched the movie a few days after its release, despite having had little prior exposure to Evangelion. However, after watching "Evangelion: 3.0 You Can (Not) Redo" and summarizing it on my blog, I found myself drawn into the series.

With "Thrice Upon a Time," I aim to provide my personal analysis while incorporating the newly revealed truths, as a way to consolidate my thoughts on the film.

This analysis may pale in comparison to the insights of those who have grown up with Evangelion during their formative years. If there are any inaccuracies or misconceptions in my analysis, I welcome your corrections.

Interpreting "Evangelion: 3.0+1.0 Thrice Upon a Time" Through the Lens of the SF Novel "Hotline from the Future" [The Eva Loop Theory]

The subtitle of "Evangelion: 3.0+1.0 Thrice Upon a Time," "Thrice Upon a Time," is the original title of the SF novel "Hotline from the Future." This novel is known for its time loop narrative, influencing anime such as "Steins;Gate."

The theory that the new Evangelion films were looping back to the old ones had been circulating for a while. The subtitle's use of repeated symbols further supported the idea that the story was about repetition.

"Evangelion: 3.0+1.0 Thrice Upon a Time" similarly rewrites the existing world of Evangelion and reconstructs a world without Eva.

Analysis of "Evangelion: 3.0+1.0 Thrice Upon a Time": Character Section

Examining the revelations about the characters in "Evangelion: 3.0+1.0 Thrice Upon a Time."

[Rei Ayanami and Asuka Langley] The Ayanami Series and the Case of Asuka Langley

While Rei Ayanami's nature as a clone of Shinji's mother, Yui Ikari, had been revealed earlier in the series, the film reveals that Asuka is also a clone, part of the "Ayanami Series." Furthermore, Asuka encounters the original Asuka, known as "Sohryu Asuka," before being absorbed by Eva Unit-13. This revelation adds complexity to the character relationships.

Asuka was, indeed, an Angel

Asuka's enigmatic eye patch in "Evangelion: 3.0 You Can (Not) Redo" had sparked much speculation. The film confirms the theory that Asuka had been suppressing her Angelic powers using the eye patch.

Asuka and Kensuke's Relationship

Some viewers speculated that Asuka and Kensuke might have been in a romantic relationship. However, the analysis suggests that their connection was more of a protective and guardian-like relationship rather than a romantic one.

[Iscariot's Maria] The True Identity of Mari Makinami

The term "Iscariot's Maria" is used in reference to Mari Makinami in the film. It combines "Iscariot," a reference to Judas Iscariot who betrayed Jesus in the New Testament, and "Maria," which could refer to either the Virgin Mary or Mary Magdalene. This symbolism adds intrigue to Mari's character and her role in the story.

[Kaoru Nagisa] The Kaoru Loop Theory Was Correct

Kaoru Nagisa's dialogue in the film confirms the theory that the Evangelion films were indeed looping. His character is fated to play out certain roles repeatedly.

Commander Nagisa!? Surprising Connections with Kozo Fuyutsuki

In a surprising twist, Kaoru Nagisa is referred to as "Commander Nagisa," indicating his role in one of the looped worlds.

[Gendo Ikari] Gendo's Purpose, and It Turns Out He Was the One Running Away

The film finally reveals Gendo Ikari's motivations, primarily driven by his desire to reunite with his wife, Yui Ikari. However, he distances himself from his son, Shinji, in the process. This reveals that, ultimately, Gendo was the one who was running away from confronting his issues. Shinji parallels this by avoiding his own problems.

Analysis of "Evangelion: 3.0+1.0 Thrice Upon a Time": Conclusion

From the "Imaginary" World to the "Reality" World

The film illustrates a transition from the "imaginary" world to the "reality" world, using various visual techniques. It depicts scenes as if they are being filmed in a studio, symbolizing a move from fiction to reality. Ultimately, it signifies the characters' return to the real world.

Why Ube-Shinkawa Station?

Ube-Shinkawa Station is an actual railway station located in Ube City, Yamaguchi Prefecture, which is the hometown of director Hideaki Anno. Trains have always been an integral part of Evangelion, often representing the characters' mental states. The use of a real station marks a transition from fiction to reality.

Summary and Impressions

In summary, "Evangelion: 3.0+1.0 Thrice Upon a Time" provided more straightforward explanations compared to previous films, making it easier for viewers to understand the complex narrative. The film also featured a memorable first half, especially with Rei Ayanami, and added depth to the characters.

Personally,